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Every cut gets shorter and shorter, each time tightening things up, and removing shots that stand out too much. When finally happy with the cut, (or decided to stop before I cut it all), I loaded my edit up in After effects for a little colour grading (Pushed the colours and pulled down some very vibrant green grass). Also letter boxed the vision slightly to give more of a cinematic feel and to allow me to reposition a few shots slightly.

Quite happy with how things are going, so happy in fact that I even quite enjoy the footage while it rendering for ram preview, its in slow motion I can see dust and twigs bouncing after each foot fall, it looks great. (I had fun scrubbing foot falls back and forth when editing)

It looks so good I might run the whole thing slow.

I wasn’t that confident with the shoot and so waited quite a while before reviewing the footage.

I wasn’t even so sure about the idea, the meeting in the video was going to be a very obvious looping point. A possible problem with this is any one viewing will possibly watch it only a few times then feel they have seen it and move on, losing that never ending mesmerising effect that loop working well has.

Back to the footage.

All the initial footage was pretty well unusable, but after a while the kids seemed to relax their running style and I started to work out what worked. The big issue is that although I considered footwear I didn’t consider the rest of the kids costume, my daughter was wearing baggy grey tracksuit pants that not only blended in with the bush setting it also just flopped around when she ran , giving no definition to her legs and looking very uninteresting. To make matters worse she injured her arm and its in a sling (requiring rest so re-shooting would be difficult).

The up side is there is some nice footage of Ned running, maybe enough to get something to work.

So mostly sow with a few hints of silk, maybe not enough for a full purse but enough to start weaving.

My children will be the actors, running in a bush setting.

Wardrobe wise they will both be wearing similar style sand shoes, and I ensured my daughter was wearing matching laces do I could flip the shots. There are no brand names to worry about and as I’m not shooting faces then flipping the footage shouldn’t cause to many problems.

I found a location very rural away from traffic and city noise, it took a while shooting before the kids relaxed with their running and I managed to find angles that worked. The best looking shots required the camera to be practically on the ground. I hoped that holding the camera on the ground would reduce camera shake.

The new Idea (still just shooting feet) is to have two people running towards each other they meet hold then turn and run away. I’ll flip the previous running footage so it feels like people are running away eventually the feet will come together again but this time from the opposite direction (flipped), then away again etc.

So if you come in on a running away section your first impression is that of people running away, otherwise it will be people coming together.

It makles sense in my head I’ll shoot some footage and see how it comes together.

I spent a little bit of time looking for a site to get the shot I had in mind but nothing realy gave me that factory feel I was envisaging. Not enough people coming and going at the same time, I could possibly try overlaying many shots to achieve that but with early morning and late night light changes it wasn’t feeling good right from the start.

Anyway I had moved on the idea that the loop should be able to be able to be viewed starting from any point in time was interesting. What if when you started viewing it changed you perspective of what the piece is about.

I still like the concept of just using feet but how to tell the two stories.

Although the 3rd project I had been thinking about this project from when we first found out about it.

Initially inspired by the Lumiere bro’s footage of people leaving the factory, I was thinking about looping people coming in and out of an office, the endless cycle of work in the corporate life.

Visually I was considering only shooting peoples feet, visually I thought it would be interesting and and add to the sence of the faceless masses forever coming and going to work.